Kwaku’s career as a commercial and celebrity photographer began in New
York where he worked for clients such as The New York Times Magazine,
Sony Music, Rolling Stone and Miramax Films. Since opening his own
studio in the pop culture hub of Venice Beach, California, he’s shot for top
publications, film studios and TV networks as well as taken portraits of
celebrities ranging from Tiger Woods, Samuel Jackson, Brad Pitt, Ashton
Kutcher and Heath Ledger to Michelle Obama, Halle Berry, and Drew
Barrymore – to name a few.
Career highlights include photographing Barack Obama, Nelson Mandela
and a recent group portrait of Oprah Winfrey’s “Legends.” Kwaku also shot
the recent historic Sports Illustrated cover depicting Jason Collins, the first
active player in a major American sport to announce that he’s gay. As a first-
time father, Kwaku has found new inspiration in documenting the life of his
young son.
Kwaku’s images on display at the E Network exhibition were taken with
an over 60 year old Deardorf 8×10 film camera. These large format photos
evoke Golden Age Hollywood headshots and glamour stills, long before
there were 53mm prints. To produce this ongoing series, Kwaku time
traveled down the road of legendary photographers like Cecil Beaton,
Hurrel, and Steiglitz. In Kwaku’s words, “these on-white portraits sprung
from my natural light studio in Venice Beach and take us back to a pre-
digital time where the sitter was as important as the photographer.” A large
format camera slows down the image-making process, requiring the sitter to
remain completely still for long shutter speeds. Any movement can blur the
image, and so both sitter and photographer must work together in a patient
collaboration to avoid an unflattering result. It’s a process that harkens back
to the invention of photography itself with its three fundamental elements:
film, light and time. Deploy these fundamentals with a Hollywood Star
and the results are apparent in Kwaku’s timeless portraits. Today’s high
resolution, high mega-pixel cameras can do remarkable things, but Kwaku’s
8×10 Deardorf can take us back in time like perhaps nothing else.